Disclaimer: no offense intended, respective fans of the respective actor. Take a chill pill ra!
I’ve had my share of logic and an equal share of Tamil movies. Considering movies variable x and logic y, (believe me when I say I’ve had more than enough of logic) the correlation coefficient of x and y as per the Kollywood industry is perfectly positive though it makes no sense. I’ve had my share of logical Tamil movies (which is very very thin) and there’s illogical movies. Now, enough of shares.
The best thing to do before watching a movie is to forget Physics (very important, especially the concept of gravity), Chemistry (oh wait, there’s plenty of that), hell, forget Science, forget History (Kollywood creates it’s own history often portrayed by actors looking up with hazy eyes, smoke covering up the frame and a background score that fades out… FLASHBACK!), you might as well forget the myriad chores that you could get done instead of watching a movie.
Breaking down Tamil movies into elementary types
Head-ache inducing movies
This movie forced me and my parents (who rarely watch contemporary movies) to contemplate all the sins we have committed and how karma got back to us within 15 minutes of the movie. And and and, Actor Suriya please leave the singing to professionals for the sake of our ears and common good. Coerced watching off this movie should be made a legal punishment. Crimes, at least then, would boil down.
After plausible acting in Aadukalam I thought maybe Dhanush wasn’t so bad after all despite mind numbing, superfluous movie Mayakam Enna. I don’t know what Anegan was all about. The storyline was strewn across different eras which maybe was just an ill effort to get Danush to act on all platforms. Just trying to interpret the story-line gave migraines. My grandma caught a fever watching this movie and it was summer.
Note: The difficulty in trying to understand Anegan is a midget compared to Vishwaroopam (which is vera-level and precisely why my grandma was advised against watching this movie). My own experience of the Vishwaroopam aftermath was plain discombobulation. Everyone seemed to get it. Or did you? Even Thatha went “paaru avan oru undercover la irukan and…” But for me it was like after a math class of complicated solving of calculus with trigonometric variables. “Whaaaaaaat?”
Director saar, enna solla varinga? Simply translated: see, director, I don’t understand the point of this movie. What do you want to tell this world? (Or the worlds. Considering the chromic parallel universes you’ve shown or miserably failed at trying to show in this movie). The one thing that I got from Irandam Ulagam was no matter where you are (Dubai kurukku sandhu or Mars) if that boy is for you, then that boy is for you despite your geographic location or your feelings towards him. He will find you and marry you.
Irandam Ulagam bottomline: Vaazhvo saavo, unnaku naan ennaku nee. (Life or death, I’m yours and you are mine).
I can hear your “don’t even”. why Why WHY? Why does actor Vijay have a lousy discernment when it comes to choosing scripts (slyly pointing out Puli also)? How Vijay can fight and restrain those many villians with burnt Ramen noodles for hair, we’ll never know. How he disengages from those inches-thick rusty chains that the villians tie him up in, we’ll never know. How he can soundly function (which includes delivering punch dialogues that flacks anti-poor people, his thangachis; younger sisters and the society) with multiple stabs of knife, aruvaa-cuts, thwacks on the head that could have easily lead to Ghajini-2, we’ll never know. I don’t just point out Vijay here but tons other actors who have defied the laws of science altogether. But we do know, as per the Kollywood Encyclopedia, heroes have improbable ammunitions that aren’t up for query.
*loses hope on writing about this and relocates to one of the worlds from Irandam Ulagam*
Et tu Brute?
I still cannot savvy the reason behind Rajnikanth accepting to do this movie. After blockbuster, perennial hits like Muthu and all; Ravikumar and Rajnikanth came up with this make. I wouldn’t go as far as saying flop because Rajnikanth and positing that would become a divine allegation (deiva kuththam for those who get Tamil). I mean scenes like the climax, where Rajnikanth jumps off a chopper on to a hot-air balloon with a fatal depth (if speaking logically) but lands without a scratch and robbery of a thing of prominent value pulled off with just a sticker-pottu and balloons? It was like watching Chutti TV.
Ummmm uhh *laughs nervously* haha *sweats anxiously*
*starts hyperventilating* *collapses clumsily*. All in the hope that Kamal Haasan deduces and arrives at a solution as to why I passed out trying to dissect his movie. The answer is in the question. What is the question? The answer.
Oh, I even sound like Kamal Haasan now! In a sentence: Kamal should’ve stopped after Dasavatharam.
“Tries to pull tongue and die after watching” movies
- Alex Pandian, All in all Azhaguraja
To be honest, I couldn’t sit through both the movies and I didn’t. But as far I got, the comedy was feeble, strenuous pressure to make jokes was evident and there was nothing in the movie. It made me think about the preciousness of life and it shouldn’t be trifled with.
The main reason I started out this blog post was because of how childish and irrational this movie was. It’s been a around 4 hours since I saw this movie and immediately wanted tell someone how uninspiring despite the feel-goodness element this movie was. And wow, Sivakarthiyen saar, how quickly you change back from the heavily-worked saree, at-least three layers of make-up, that glossy, man, glossy doll-adikkum lip gloss (which would’ve taken minimum 10 minutes to rub off completely says my meager knowledge on stuff like these) in to a sharp man with a crisp-less blue suit, hot gelled hair and fresh roses in hand within 2 minutes. How? And this is just one of the many unbelievable moments.
In a word: Vishal.
In a gif:
“Sir, what about gravity?” “I didn’t like that movie.”